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<channel>
	<title>Michał Dobrucki</title>
	<link>https://michaldobrucki.eu</link>
	<description>Michał Dobrucki</description>
	<pubDate>Fri, 14 Jul 2023 11:50:42 +0000</pubDate>
	<generator>https://michaldobrucki.eu</generator>
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	<item>
		<title>CHOSEN THEATRE COLLAB 2022/2026</title>
				
		<link>https://michaldobrucki.eu/CHOSEN-THEATRE-COLLAB-2022-2026</link>

		<pubDate>Sun, 11 Nov 2018 22:58:32 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/CHOSEN-THEATRE-COLLAB-2022-2026</guid>

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	Index &#38;nbsp; Next︎




CHOSEN THEATRE COLLABORATIONS 2022/2026
Muszenie, 2026&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Jagoda Szelc




premiere: 22 May 2026, Teatr Dramatyczny, Warszawa
set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  trailer

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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e8c71ade3f237236bfbe67b22dd464b7980bc0bce68552c0c5b59606e336819f/IMG_2954.JPG" data-mid="249117573" border="0"  src="https://freight.cargo.site/w/1000/i/e8c71ade3f237236bfbe67b22dd464b7980bc0bce68552c0c5b59606e336819f/IMG_2954.JPG" /&#62;
fot. Karolina Jóźwiak




Nie nazywaj tego wiśnią, 2026&#38;nbsp;&#38;nbsp; &#38;nbsp;  &#38;nbsp; (czytanie performatywne tekstu Darii Sobik na podstawie Szczelin Istnienia Jolanty Brach Czainy)&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Olga Ciężkowska


premiere: 21 May 2026, Mazowiecki Instytut Kultury, Warszawa

set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  costumes
&#60;img width="1920" height="1005" width_o="1920" height_o="1005" data-src="https://freight.cargo.site/t/original/i/e113126f63d80e3e45d1746772f5020989bbd2dbfe410f46cbc192184e58fd52/680242333_122175024968834640_4686642892388655341_n.jpg" data-mid="249118047" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/e113126f63d80e3e45d1746772f5020989bbd2dbfe410f46cbc192184e58fd52/680242333_122175024968834640_4686642892388655341_n.jpg" /&#62;


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fot. A. Stawiński/MIK
Sztuka protestu, 2026&#38;nbsp; &#38;nbsp;

&#38;nbsp; &#38;nbsp; dir. Michał Buszewicz


premiere: 28 February 2026, Teatr Współczesny w Szczecinie

set design



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&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/2d38d1776feb450c9b191d586182437d5b4fa1d22c067709c0c3195e7ad836cb/643348698_1363799979116590_2139554878049215239_n.jpg" data-mid="245617784" border="0"  src="https://freight.cargo.site/w/1000/i/2d38d1776feb450c9b191d586182437d5b4fa1d22c067709c0c3195e7ad836cb/643348698_1363799979116590_2139554878049215239_n.jpg" /&#62;

fot. Piotr Nykowski



&#60;img width="2784" height="2227" width_o="2784" height_o="2227" data-src="https://freight.cargo.site/t/original/i/7548ae48e830c95fdd558691d86d4615fdc4776a851bf51d17a876228d41c852/IMG_6911.jpg" data-mid="245624946" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/7548ae48e830c95fdd558691d86d4615fdc4776a851bf51d17a876228d41c852/IMG_6911.jpg" /&#62;
&#60;img width="2697" height="2157" width_o="2697" height_o="2157" data-src="https://freight.cargo.site/t/original/i/4deb616abb0dd843df3976992a9b8a2d17b1a92fd4fc9b9add1a3097933a41c5/IMG_6482.jpg" data-mid="245624924" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/4deb616abb0dd843df3976992a9b8a2d17b1a92fd4fc9b9add1a3097933a41c5/IMG_6482.jpg" /&#62;

fot. Michał Dobrucki

&#60;img width="1800" height="1255" width_o="1800" height_o="1255" data-src="https://freight.cargo.site/t/original/i/3b5534ea88fcce8c144401abef1d4154ade9566a36f9ece5750f9382714c6096/rodin_thinker006.jpg" data-mid="245625689" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/3b5534ea88fcce8c144401abef1d4154ade9566a36f9ece5750f9382714c6096/rodin_thinker006.jpg" /&#62;
Auguste Rodin, The Thinker after the bombing, Cleveland Museum of Art, 1970.
Photo: The Cleveland Press Collection / Cleveland State University.


Nie całuj mnie teraz, 2025&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Olga Ciężkowska


premiere: 08 November 2025, Teatr Współczesny w Szczecinie

set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/94f748409cf6ea79e51b36c2f545938fbad783bd5b927edde552b7ab40d865bc/577532846_1272297671600155_4802246892926075563_n.jpg" data-mid="240575501" border="0"  src="https://freight.cargo.site/w/1000/i/94f748409cf6ea79e51b36c2f545938fbad783bd5b927edde552b7ab40d865bc/577532846_1272297671600155_4802246892926075563_n.jpg" /&#62;
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&#60;img width="1152" height="2048" width_o="1152" height_o="2048" data-src="https://freight.cargo.site/t/original/i/cde59e117642106932e25c5050e81c20bc431033ccb95755de06153bfce3d47c/578488802_10230709380137900_3674380767684307231_n.jpg" data-mid="240575510" border="0"  src="https://freight.cargo.site/w/1000/i/cde59e117642106932e25c5050e81c20bc431033ccb95755de06153bfce3d47c/578488802_10230709380137900_3674380767684307231_n.jpg" /&#62;

fot. Piotr NykowskiDom niespokojnej starości, 2025&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Michał Buszewicz


premiere:
 12 February 2025, Teatr Współczesny w Szczecinie

set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video&#38;nbsp;

&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/2f8efb5ebc159a0799bc6eb35f285f94579aebb4e76942e15aaa831ea9943218/480489452_1057598469736744_8206199430227086727_n.jpg" data-mid="227022718" border="0"  src="https://freight.cargo.site/w/1000/i/2f8efb5ebc159a0799bc6eb35f285f94579aebb4e76942e15aaa831ea9943218/480489452_1057598469736744_8206199430227086727_n.jpg" /&#62;
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&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/de4fd8cb65da43691379f4e6f8b620e46cce1d32779fc97d80f16ccaf21d1640/480304171_1057599076403350_787082412186966408_n.jpg" data-mid="227022716" border="0"  src="https://freight.cargo.site/w/1000/i/de4fd8cb65da43691379f4e6f8b620e46cce1d32779fc97d80f16ccaf21d1640/480304171_1057599076403350_787082412186966408_n.jpg" /&#62;

fot. Piotr Nykowski
EP, 2024&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Agnieszka Jakimiak &#38;amp; Kuba Krzewiński


premiere:
 13 September 2024, TR Warszawa
set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  costumes&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  light design
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0ae92da155c54a5706e8dea15964f43dbd87413c221a5bc72c1ecaebea40f6f1/455193056_809540321366844_7805504036913525895_n.jpg" data-mid="220203493" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/0ae92da155c54a5706e8dea15964f43dbd87413c221a5bc72c1ecaebea40f6f1/455193056_809540321366844_7805504036913525895_n.jpg" /&#62;
poster Patryk Różycki


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&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/5e0e1eb063de027f7fb190b0e6051de0021289a002a7cc09a910728606382d96/462123066_849432767377599_2611295270943002916_n.jpg" data-mid="220203710" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/5e0e1eb063de027f7fb190b0e6051de0021289a002a7cc09a910728606382d96/462123066_849432767377599_2611295270943002916_n.jpg" /&#62;
&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/31ae5ddc5fffa17b22f2f1dbab3f5653a861781e689e300d6dc66adc8a0c014e/459304970_830574842596725_1428519192750457929_n.jpg" data-mid="220203711" border="0"  src="https://freight.cargo.site/w/1000/i/31ae5ddc5fffa17b22f2f1dbab3f5653a861781e689e300d6dc66adc8a0c014e/459304970_830574842596725_1428519192750457929_n.jpg" /&#62;

fot. Adrian Lach

Za dużo wszystkiego, 2024&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Michał Buszewicz


premiere:
 28 June 2024, TR Warszawa

video

&#60;img width="6082" height="4055" width_o="6082" height_o="4055" data-src="https://freight.cargo.site/t/original/i/a3ac2af78078215cfe7c9a3890322d3554185bfd66b9647990aa8786a15a0faf/py6AX_58.jpeg" data-mid="214358291" border="0"  src="https://freight.cargo.site/w/1000/i/a3ac2af78078215cfe7c9a3890322d3554185bfd66b9647990aa8786a15a0faf/py6AX_58.jpeg" /&#62;
&#60;img width="171" height="96" width_o="171" height_o="96" data-src="https://freight.cargo.site/t/original/i/9346c0e7b717f2226f4b3f96c04884ae22c1d3ff61a9d6ca6a0ef9cfa3c3aa39/ezgif-7-3f441407de.gif" data-mid="214361020" border="0"  src="https://freight.cargo.site/w/171/i/9346c0e7b717f2226f4b3f96c04884ae22c1d3ff61a9d6ca6a0ef9cfa3c3aa39/ezgif-7-3f441407de.gif" /&#62;
&#60;img width="427" height="240" width_o="427" height_o="240" data-src="https://freight.cargo.site/t/original/i/d2863490740a448ff58a319a7f11ad64c2df6bf54d695ed23e98cdfdd44d313d/ezgif-4-b992eb58a4.gif" data-mid="214359135" border="0"  src="https://freight.cargo.site/w/427/i/d2863490740a448ff58a319a7f11ad64c2df6bf54d695ed23e98cdfdd44d313d/ezgif-4-b992eb58a4.gif" /&#62;

fot. Wojciech Sobolewski

Instrukcja dla pań sprzątających, 2024&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Olga Ciężkowska



premiere:
02 February 2024, Teatr im. Jana Kochanowskiego w Opolu

video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  trailer

&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/ff087a65a9f75bcef80dbd9abf07a505c6e391140f383d496faae13c8db8b9c9/DSCF0162-scaled.jpg" data-mid="249268795" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/ff087a65a9f75bcef80dbd9abf07a505c6e391140f383d496faae13c8db8b9c9/DSCF0162-scaled.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/51e60341c816d1af2081df1dce9a1a3677841d72d0b057a1dd0f9b90878a07c3/DSCF0083-scaled.jpg" data-mid="249268798" border="0"  src="https://freight.cargo.site/w/1000/i/51e60341c816d1af2081df1dce9a1a3677841d72d0b057a1dd0f9b90878a07c3/DSCF0083-scaled.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5add2f12c77b1edea59f45502091486bb8686690e763a6d70c76635709d54c16/SCFF0042-scaled.jpg" data-mid="249268796" border="0"  src="https://freight.cargo.site/w/1000/i/5add2f12c77b1edea59f45502091486bb8686690e763a6d70c76635709d54c16/SCFF0042-scaled.jpg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/578d1f04dc164edae4d8cb106a8d93703d1207f90b6c803e30965cdafe30f2c3/DSCF5534-scaled.jpg" data-mid="249268797" border="0"  src="https://freight.cargo.site/w/1000/i/578d1f04dc164edae4d8cb106a8d93703d1207f90b6c803e30965cdafe30f2c3/DSCF5534-scaled.jpg" /&#62;

fot. Edgar de Poray



&#60;img width="320" height="320" width_o="320" height_o="320" data-src="https://freight.cargo.site/t/original/i/f8d23c6303d69fedb0eb28b221a31d0a4fb6ad9a01bd6328245f5d3a072615d2/ezgif-7-595cb92866.gif" data-mid="203827392" border="0"  src="https://freight.cargo.site/w/320/i/f8d23c6303d69fedb0eb28b221a31d0a4fb6ad9a01bd6328245f5d3a072615d2/ezgif-7-595cb92866.gif" /&#62;


Deadline, 2023&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Olga Ciężkowska &#38;amp; Adam Dragun


premiere:
 05 October 2023, P*AKT, Bratislava
09 October 2023, Alfred ve dvoře, Prague

set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  costumes&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  poster

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/83f1ba9820655853fba755750efc9ad1390c4b9f9ee956d1e37f944c4a90b81d/IMG_0040.jpeg" data-mid="215912318" border="0"  src="https://freight.cargo.site/w/1000/i/83f1ba9820655853fba755750efc9ad1390c4b9f9ee956d1e37f944c4a90b81d/IMG_0040.jpeg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/ab9e696dec756d21628777f0ce16770a18da22bf1096381cd69b7162bbe54f61/IMG_0034.jpeg" data-mid="215912322" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/ab9e696dec756d21628777f0ce16770a18da22bf1096381cd69b7162bbe54f61/IMG_0034.jpeg" /&#62;
&#60;img width="2396" height="1800" width_o="2396" height_o="1800" data-src="https://freight.cargo.site/t/original/i/b4520d6cb47deaef28e356cb5873bcc47fed5ad53b3607fc90e58168710f05ca/Zrzut-ekranu-2024-10-23-o-17.59.52.png" data-mid="220204664" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/b4520d6cb47deaef28e356cb5873bcc47fed5ad53b3607fc90e58168710f05ca/Zrzut-ekranu-2024-10-23-o-17.59.52.png" /&#62;

&#60;img width="1346" height="1800" width_o="1346" height_o="1800" data-src="https://freight.cargo.site/t/original/i/82888d50af4a9aceef317b56c2410dd9f0af354fe72c6607a3afa3a4ffaf1526/Zrzut-ekranu-2024-10-23-o-17.58.32.png" data-mid="220204669" border="0"  src="https://freight.cargo.site/w/1000/i/82888d50af4a9aceef317b56c2410dd9f0af354fe72c6607a3afa3a4ffaf1526/Zrzut-ekranu-2024-10-23-o-17.58.32.png" /&#62;
&#60;img width="1352" height="1800" width_o="1352" height_o="1800" data-src="https://freight.cargo.site/t/original/i/79c16891eeb63e1c20ea3d26b86505c735fb64bd7ef71052681bff25d67a0de9/Zrzut-ekranu-2024-10-23-o-17.57.56.png" data-mid="220204671" border="0"  src="https://freight.cargo.site/w/1000/i/79c16891eeb63e1c20ea3d26b86505c735fb64bd7ef71052681bff25d67a0de9/Zrzut-ekranu-2024-10-23-o-17.57.56.png" /&#62;
&#60;img width="1348" height="1800" width_o="1348" height_o="1800" data-src="https://freight.cargo.site/t/original/i/3a5c471a8a0af962930e3b7f1015ee0af2b2fcd3c5be7b7895b8056d0a04ac49/Zrzut-ekranu-2024-10-23-o-17.59.34.png" data-mid="220204665" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/3a5c471a8a0af962930e3b7f1015ee0af2b2fcd3c5be7b7895b8056d0a04ac49/Zrzut-ekranu-2024-10-23-o-17.59.34.png" /&#62;
&#60;img width="1346" height="1800" width_o="1346" height_o="1800" data-src="https://freight.cargo.site/t/original/i/863c768388a88ceaaddf4f78e73273d4971328ec10d74fb96a8d4827d12413e7/Zrzut-ekranu-2024-10-23-o-17.58.53.png" data-mid="220204668" border="0"  src="https://freight.cargo.site/w/1000/i/863c768388a88ceaaddf4f78e73273d4971328ec10d74fb96a8d4827d12413e7/Zrzut-ekranu-2024-10-23-o-17.58.53.png" /&#62;
&#60;img width="1352" height="1800" width_o="1352" height_o="1800" data-src="https://freight.cargo.site/t/original/i/d25bad1f1ae80bea8b4243f83f600cee473f66eb646a26864ea153684927c3ab/Zrzut-ekranu-2024-10-23-o-17.57.44.png" data-mid="220204672" border="0"  src="https://freight.cargo.site/w/1000/i/d25bad1f1ae80bea8b4243f83f600cee473f66eb646a26864ea153684927c3ab/Zrzut-ekranu-2024-10-23-o-17.57.44.png" /&#62;
&#60;img width="1010" height="1510" width_o="1010" height_o="1510" data-src="https://freight.cargo.site/t/original/i/78911a48e38786f4c5fbc3bfc48a3a1445906ba8afe0648da49f5b431a031a3f/Zrzut-ekranu-2024-10-23-o-18.00.13.png" data-mid="220204663" border="0"  src="https://freight.cargo.site/w/1000/i/78911a48e38786f4c5fbc3bfc48a3a1445906ba8afe0648da49f5b431a031a3f/Zrzut-ekranu-2024-10-23-o-18.00.13.png" /&#62;
&#60;img width="1348" height="1800" width_o="1348" height_o="1800" data-src="https://freight.cargo.site/t/original/i/372c2def136ad8465a1c162806475e53eeab1cba2e7db9e628d609041184009f/Zrzut-ekranu-2024-10-23-o-17.59.17.png" data-mid="220204666" border="0"  src="https://freight.cargo.site/w/1000/i/372c2def136ad8465a1c162806475e53eeab1cba2e7db9e628d609041184009f/Zrzut-ekranu-2024-10-23-o-17.59.17.png" /&#62;
&#60;img width="1346" height="1800" width_o="1346" height_o="1800" data-src="https://freight.cargo.site/t/original/i/4eb5b2ab17aacf77045bdeaa03b4d8a74294be26985fe39e4f52107d08062535/Zrzut-ekranu-2024-10-23-o-17.58.10.png" data-mid="220204670" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/4eb5b2ab17aacf77045bdeaa03b4d8a74294be26985fe39e4f52107d08062535/Zrzut-ekranu-2024-10-23-o-17.58.10.png" /&#62;

&#60;img width="2084" height="2606" width_o="2084" height_o="2606" data-src="https://freight.cargo.site/t/original/i/77995e5156a15661d024001c05df66a3b5e93b3000d077d2778b3e363123d30b/falling-piano1.jpg" data-mid="249311634" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/77995e5156a15661d024001c05df66a3b5e93b3000d077d2778b3e363123d30b/falling-piano1.jpg" /&#62;


2030, 2023&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Michał Buszewicz


premiere:
 23 June 2023, TR Warszawa

set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  costumes&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video

&#60;img width="900" height="643" width_o="900" height_o="643" data-src="https://freight.cargo.site/t/original/i/ea31a31d57e632d1dab77a72c9ebc09bdb50412c1628a4b12304f312313cdd0e/ezgif-2-5568ca413c.gif" data-mid="184983740" border="0" data-scale="71" src="https://freight.cargo.site/w/900/i/ea31a31d57e632d1dab77a72c9ebc09bdb50412c1628a4b12304f312313cdd0e/ezgif-2-5568ca413c.gif" /&#62;
fot. Michał Dobrucki


&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/302088e9472f1046e23f89e85ff264e9f8ed5c1e19585b4d15b601c4d6ef0bd6/foty_46.jpg" data-mid="184985004" border="0"  src="https://freight.cargo.site/w/1000/i/302088e9472f1046e23f89e85ff264e9f8ed5c1e19585b4d15b601c4d6ef0bd6/foty_46.jpg" /&#62;
&#60;img width="5793" height="3862" width_o="5793" height_o="3862" data-src="https://freight.cargo.site/t/original/i/f25536ba9cfc4ff68568c097c66d23e3a2a723ef9973738909ad03cdf6671743/foty_299.jpg" data-mid="184985022" border="0"  src="https://freight.cargo.site/w/1000/i/f25536ba9cfc4ff68568c097c66d23e3a2a723ef9973738909ad03cdf6671743/foty_299.jpg" /&#62;
&#60;img width="6210" height="3493" width_o="6210" height_o="3493" data-src="https://freight.cargo.site/t/original/i/727b02d5d0a92654e354aceef97a7158541cde27f0c1c5811fb9211cc2e3d685/foty_47.jpg" data-mid="184985005" border="0"  src="https://freight.cargo.site/w/1000/i/727b02d5d0a92654e354aceef97a7158541cde27f0c1c5811fb9211cc2e3d685/foty_47.jpg" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/19972309a62f7712b8b426b76010809e7ebd226a44860efe93f567ec2bdcc69a/foty_93.jpg" data-mid="184985007" border="0"  src="https://freight.cargo.site/w/1000/i/19972309a62f7712b8b426b76010809e7ebd226a44860efe93f567ec2bdcc69a/foty_93.jpg" /&#62;
&#60;img width="6240" height="3510" width_o="6240" height_o="3510" data-src="https://freight.cargo.site/t/original/i/823bf5f55c3eccddfde05eede66c253c88773ed00888e9077b23c43d5f30caec/foty_14.jpg" data-mid="184985002" border="0"  src="https://freight.cargo.site/w/1000/i/823bf5f55c3eccddfde05eede66c253c88773ed00888e9077b23c43d5f30caec/foty_14.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/7e9320a9bec378b7a177c2c29a0fc369177530a3be9de84ad3cb26ab6b49a38d/353775377_104151846052611_5170739567283520614_n.jpg" data-mid="193681973" border="0"  src="https://freight.cargo.site/w/1000/i/7e9320a9bec378b7a177c2c29a0fc369177530a3be9de84ad3cb26ab6b49a38d/353775377_104151846052611_5170739567283520614_n.jpg" /&#62;
&#60;img width="5661" height="3774" width_o="5661" height_o="3774" data-src="https://freight.cargo.site/t/original/i/bb146aa9017c73b169d38d97e2f164f455e49bc20ca9dc636cbecdc6b81e53be/foty_267.jpg" data-mid="184985018" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/bb146aa9017c73b169d38d97e2f164f455e49bc20ca9dc636cbecdc6b81e53be/foty_267.jpg" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/4895608ff5eaaa24c90b9d1e1294ea43677e3bed17bc9701af473007b6bbb77e/foty_223.jpg" data-mid="184985010" border="0"  src="https://freight.cargo.site/w/1000/i/4895608ff5eaaa24c90b9d1e1294ea43677e3bed17bc9701af473007b6bbb77e/foty_223.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/50bf3ddbf81abe50a6393219a11cde99f5b41364115f4c7bf4da2c38dee066d0/353695602_618980463530462_3391064239575086023_n.jpg" data-mid="193681972" border="0"  src="https://freight.cargo.site/w/1000/i/50bf3ddbf81abe50a6393219a11cde99f5b41364115f4c7bf4da2c38dee066d0/353695602_618980463530462_3391064239575086023_n.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/26dc6031267d1734295edbfe8010fc41d33df9f14efd154c9f7583b077ea949a/354119804_571830418358154_7596372445027035953_n.jpg" data-mid="193681971" border="0"  src="https://freight.cargo.site/w/1000/i/26dc6031267d1734295edbfe8010fc41d33df9f14efd154c9f7583b077ea949a/354119804_571830418358154_7596372445027035953_n.jpg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/240a143d1401f4ae4680b3c00f9cfa7b2bf25281c7a125db09d30257dc142889/354035331_608221211408690_728321236761247749_n.jpg" data-mid="193681970" border="0"  src="https://freight.cargo.site/w/1000/i/240a143d1401f4ae4680b3c00f9cfa7b2bf25281c7a125db09d30257dc142889/354035331_608221211408690_728321236761247749_n.jpg" /&#62;

fot. Wojciech Sobolewski

Chłopaki płaczą, 2023&#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; dir. Michał Buszewicz


premiere:
 23 March 2023, Teatr Dramatyczny, Warszaw

video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  trailer
&#60;img width="600" height="400" width_o="600" height_o="400" data-src="https://freight.cargo.site/t/original/i/c823b7332cffbde3f01b5ea8d7a79d25907b01cd825cc78942f5357ecf7a2308/ezgif.com-optimize.gif" data-mid="174056112" border="0"  src="https://freight.cargo.site/w/600/i/c823b7332cffbde3f01b5ea8d7a79d25907b01cd825cc78942f5357ecf7a2308/ezgif.com-optimize.gif" /&#62;




Arka i ego, 2023&#38;nbsp; &#38;nbsp; 
Collective creation based on Lucy Sosnowska’s concept
Director support Monika Strzępka


premiere:
 11 February 2023, Teatr Dramatyczny, Warszawa

video

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&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/fa0b7476add3923bd530269d323e9e56811252ca1f152f54916ce9623d050a3c/338023342_2385261811634428_475532876718161398_n.jpg" data-mid="173982343" border="0"  src="https://freight.cargo.site/w/1000/i/fa0b7476add3923bd530269d323e9e56811252ca1f152f54916ce9623d050a3c/338023342_2385261811634428_475532876718161398_n.jpg" /&#62;

fot. Karolina Jóźwiak

Dotyk za dotyk. Potańcówka, 2023&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Katarzyna Sikora


premiere:
 27 January 2023, Teatr Współczesny w Szczecinie

costumes

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&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/1f3f970d7ece634d7735a65f7503bc2c4b37758904edcd80cbd729ba825a43e8/Dotyk-za-dotyk_fot.-Piotr-Nykowski.JPG" data-mid="166908687" border="0"  src="https://freight.cargo.site/w/1000/i/1f3f970d7ece634d7735a65f7503bc2c4b37758904edcd80cbd729ba825a43e8/Dotyk-za-dotyk_fot.-Piotr-Nykowski.JPG" /&#62;

fot. Piotr Nykowski
Grunwald rekonstrukcja, 2022&#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; dir. Anna Mazurek &#38;amp; Ewelina Węgiel
based on Jan Kanty Zienko’s concept

premiere:
 11 November 2022, Teatr Współczesny w Szczecinie

costumes

&#60;img width="1300" height="865" width_o="1300" height_o="865" data-src="https://freight.cargo.site/t/original/i/eb521629151b3c3057213e3605c0253b7bf69b097deefd18f62e7527e42d4a9d/Grunwald-Rekonstrukcja-3Gen-fot.-Piotr-Nykowski-3.jpeg" data-mid="166910891" border="0" data-scale="80" src="https://freight.cargo.site/w/1000/i/eb521629151b3c3057213e3605c0253b7bf69b097deefd18f62e7527e42d4a9d/Grunwald-Rekonstrukcja-3Gen-fot.-Piotr-Nykowski-3.jpeg" /&#62;
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&#60;img width="1300" height="865" width_o="1300" height_o="865" data-src="https://freight.cargo.site/t/original/i/96030fe017a5a299e37606338bf94c88aad35fd3d60885725a420861bd7acd6d/Grunwald-Rekonstrukcja-3Gen-fot.-Piotr-Nykowski-18.jpeg" data-mid="166910830" border="0" data-scale="83" src="https://freight.cargo.site/w/1000/i/96030fe017a5a299e37606338bf94c88aad35fd3d60885725a420861bd7acd6d/Grunwald-Rekonstrukcja-3Gen-fot.-Piotr-Nykowski-18.jpeg" /&#62;

fot. Piotr Nykowski

Fucking in Brussels, 2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Mikita Ilyinchyk


premiere:
 16 October 2022, Teatr Polski Bydgoszcz

video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  poster

&#60;img width="526" height="759" width_o="526" height_o="759" data-src="https://freight.cargo.site/t/original/i/1f52f937dadbceca12561400d89b90db537b57b19385acbf660e4567e726ef3c/311143506_474300768063934_8042229130055651266_n.jpeg" data-mid="156715965" border="0"  src="https://freight.cargo.site/w/526/i/1f52f937dadbceca12561400d89b90db537b57b19385acbf660e4567e726ef3c/311143506_474300768063934_8042229130055651266_n.jpeg" /&#62;


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&#60;img width="2048" height="1364" width_o="2048" height_o="1364" data-src="https://freight.cargo.site/t/original/i/e817d785c4d2b1921c843e51ddd881f9f7b6c14faf33a3937bf199f3abf22450/brussels.jpeg" data-mid="166913412" border="0"  src="https://freight.cargo.site/w/1000/i/e817d785c4d2b1921c843e51ddd881f9f7b6c14faf33a3937bf199f3abf22450/brussels.jpeg" /&#62;
&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/5b934d151c84c18b848608980af5b55f5df45e26a7d4658d48798f4322204b72/FB_fot-NK-9-scaled.jpeg" data-mid="166913417" border="0"  src="https://freight.cargo.site/w/1000/i/5b934d151c84c18b848608980af5b55f5df45e26a7d4658d48798f4322204b72/FB_fot-NK-9-scaled.jpeg" /&#62;

fot. Natalia Kabanow

Ostatni raz kiedy moi rodzice byli w Komunie Warszawa, 2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Olga Ciężkowska &#38;amp; Adam Dragun


premiere:
 16 September 2022, Komuna Warszawa

video


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/33fb2c3209fea395af81df478b17a50409ce3af1cfcbac10fff473347b44d0f9/IMG_4377.jpg" data-mid="153809205" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/33fb2c3209fea395af81df478b17a50409ce3af1cfcbac10fff473347b44d0f9/IMG_4377.jpg" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/20c09c1c1661acb2b3c7e9d2dd8d64d3dea43963df63af6d85e3437943b44e72/Screenshot-olga.jpeg" data-mid="153809206" border="0"  src="https://freight.cargo.site/w/1000/i/20c09c1c1661acb2b3c7e9d2dd8d64d3dea43963df63af6d85e3437943b44e72/Screenshot-olga.jpeg" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/0e15e48a6e04d46de12e7805af970d7944d3f45adc9275bae964175ead75028a/Screenshot-adam.jpeg" data-mid="153809208" border="0"  src="https://freight.cargo.site/w/1000/i/0e15e48a6e04d46de12e7805af970d7944d3f45adc9275bae964175ead75028a/Screenshot-adam.jpeg" /&#62;


Srebrny Glob / The Silver Globe, 2022&#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; dir. Michał Buszewicz


premiere:
 27 May 2022, Teatr Polski Bydgoszcz 

costumes&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video


&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e5dac7ad85c2dfacc8c319c805db1cef23c2983465b82273f613720d818d5fdc/284106352_5225920560799343_6041875365907651418_n.jpeg" data-mid="153808585" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/e5dac7ad85c2dfacc8c319c805db1cef23c2983465b82273f613720d818d5fdc/284106352_5225920560799343_6041875365907651418_n.jpeg" /&#62;
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&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/3b6d819b023c5fbb379ec116a499eda8ef30c76376d2c746d82f14039a20057a/284415853_5230263950365004_3893467853909257583_n.jpeg" data-mid="153808588" border="0"  src="https://freight.cargo.site/w/1000/i/3b6d819b023c5fbb379ec116a499eda8ef30c76376d2c746d82f14039a20057a/284415853_5230263950365004_3893467853909257583_n.jpeg" /&#62;

fot. Natalia Kabanow



Wyparte, 2022&#38;nbsp; &#38;nbsp; (czytanie performatywne tekstu Darii Kubisiak)
&#38;nbsp; &#38;nbsp; dir. Olga Ciężkowska

premiere:
 20 May 2022, TR Warszawa

set design


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/859d52d827890efda83b708904e7bbefc1e7716a2be14a956bf23b975d960c78/IMG_4015.jpg" data-mid="153997909" border="0"  src="https://freight.cargo.site/w/1000/i/859d52d827890efda83b708904e7bbefc1e7716a2be14a956bf23b975d960c78/IMG_4015.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/57334d0abb10dc08a99b6ae17c1c36f203a3860f0781005f7417f5e669dac9fa/IMG_3965.jpg" data-mid="153997855" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/57334d0abb10dc08a99b6ae17c1c36f203a3860f0781005f7417f5e669dac9fa/IMG_3965.jpg" /&#62;
&#60;img width="1334" height="750" width_o="1334" height_o="750" data-src="https://freight.cargo.site/t/original/i/198e232b255b42cff6669f1c9ced6286a3e4b33fce6abd781f90b446f6f713b6/IMG_4067.jpg" data-mid="153997853" border="0"  src="https://freight.cargo.site/w/1000/i/198e232b255b42cff6669f1c9ced6286a3e4b33fce6abd781f90b446f6f713b6/IMG_4067.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/20214f0e5d18f4d833e76f2a738ac0d8731e325c2924cf3e8cdf357ae6f16ba7/IMG_3972.jpg" data-mid="153997856" border="0"  src="https://freight.cargo.site/w/1000/i/20214f0e5d18f4d833e76f2a738ac0d8731e325c2924cf3e8cdf357ae6f16ba7/IMG_3972.jpg" /&#62;


Jezus, 2022&#38;nbsp; &#38;nbsp; (a horror about marriage as a tool of biopolitical control)&#38;nbsp; &#38;nbsp; dir. Olga Ciężkowska &#38;amp; Jan Kanty Zienko


premiere:
 10 April 2022, Komuna Warszawa(coproduction with Teatr Dramatyczny im. J. Szaniawskiego w Wałbrzychu)

set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video
&#60;img width="1000" height="1400" width_o="1000" height_o="1400" data-src="https://freight.cargo.site/t/original/i/93e9a6ca5ce96f64181c81f3a0500fd9121a58c0ba5baa5c19cf6e3d1d99c438/plakat-w-ruchu.jpg" data-mid="134014267" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/93e9a6ca5ce96f64181c81f3a0500fd9121a58c0ba5baa5c19cf6e3d1d99c438/plakat-w-ruchu.jpg" /&#62;


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/cc9dbf7ab729fe8dee0afa77be4627275892ea9cfd094d65f7acadefaef8b807/278134424_5200293473367578_1326559753409000136_n.jpeg" data-mid="140281950" border="0"  src="https://freight.cargo.site/w/1000/i/cc9dbf7ab729fe8dee0afa77be4627275892ea9cfd094d65f7acadefaef8b807/278134424_5200293473367578_1326559753409000136_n.jpeg" /&#62;
&#60;img width="1712" height="1141" width_o="1712" height_o="1141" data-src="https://freight.cargo.site/t/original/i/2804bebfc0941af618f1d36a9cce01462e2d80b89f094d2da7c58f6585dd12d7/277810363_2735227959943207_2436768626757107486_n.jpeg" data-mid="140281952" border="0"  src="https://freight.cargo.site/w/1000/i/2804bebfc0941af618f1d36a9cce01462e2d80b89f094d2da7c58f6585dd12d7/277810363_2735227959943207_2436768626757107486_n.jpeg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/6fd2e8f0fe2399aaa2500846e45b20a8a3a60d0cb05e51d01ad85b2be3ccea1f/277741052_5200293366700922_1172211085285390211_n.jpeg" data-mid="140281949" border="0"  src="https://freight.cargo.site/w/1000/i/6fd2e8f0fe2399aaa2500846e45b20a8a3a60d0cb05e51d01ad85b2be3ccea1f/277741052_5200293366700922_1172211085285390211_n.jpeg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/552116f836138caed5fd94035dc6e9aeb9d050047e797712e187f84261d0ff25/277760852_5200290713367854_7118502546279972404_n.jpeg" data-mid="140281947" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/552116f836138caed5fd94035dc6e9aeb9d050047e797712e187f84261d0ff25/277760852_5200290713367854_7118502546279972404_n.jpeg" /&#62;

fot. Marta Ankiersztejn &#38;amp;&#38;nbsp;Tobiasz Papuczys

Noce i dnie / Nights and Days, 2022&#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; dir. Michał Siegoczyński


premiere:
 24 March 2022, Teatr im. Wilama Horzycy, Toruń

set design

&#60;img width="1560" height="1040" width_o="1560" height_o="1040" data-src="https://freight.cargo.site/t/original/i/0095cbea84edc3c9e0283f128c7eb8355dc9bd58035e57f3711fda59cf698bda/277744187_5007313309327206_6720406379245313238_n.jpeg" data-mid="140279121" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/0095cbea84edc3c9e0283f128c7eb8355dc9bd58035e57f3711fda59cf698bda/277744187_5007313309327206_6720406379245313238_n.jpeg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/29fd146a00730eb0c1f842ced1173c56ff0bc4f8ade97fa7de6362597cd57ee3/277706678_5007313299327207_7966391765016562405_n.jpeg" data-mid="140279124" border="0"  src="https://freight.cargo.site/w/1000/i/29fd146a00730eb0c1f842ced1173c56ff0bc4f8ade97fa7de6362597cd57ee3/277706678_5007313299327207_7966391765016562405_n.jpeg" /&#62;
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/030aa11d36b245f164d034deb60ae90fd854dd5a411cd5e552fe296d18ed6b96/277788844_5007313985993805_9035031453304608472_n.jpeg" data-mid="140279122" border="0"  src="https://freight.cargo.site/w/1000/i/030aa11d36b245f164d034deb60ae90fd854dd5a411cd5e552fe296d18ed6b96/277788844_5007313985993805_9035031453304608472_n.jpeg" /&#62;
&#60;img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/74dab790fb157764514f7c35c3a81e8990bfc097a0e0b1e726ca1c3620c68971/277779650_5007312235993980_119815712846684727_n.jpeg" data-mid="140279125" border="0"  src="https://freight.cargo.site/w/1000/i/74dab790fb157764514f7c35c3a81e8990bfc097a0e0b1e726ca1c3620c68971/277779650_5007312235993980_119815712846684727_n.jpeg" /&#62;

fot. Wojtek Szabelski

Edukacja Seksualna / Sex Education, 2022&#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; dir. Michał Buszewicz


premiere:
12 February 2022, Teatr Współczesny w Szczecinie

assistant of Dorota Nawrot (set design and costumes)

&#60;img width="3024" height="2012" width_o="3024" height_o="2012" data-src="https://freight.cargo.site/t/original/i/2d6645eacdd792e97940b6f742d6937a61a9cf638970615616302e00d2c14f61/o-Edukacja_Seksualna_Fot._Piotr_Nykowski-64_w36WHhr.jpg" data-mid="193682616" border="0"  src="https://freight.cargo.site/w/1000/i/2d6645eacdd792e97940b6f742d6937a61a9cf638970615616302e00d2c14f61/o-Edukacja_Seksualna_Fot._Piotr_Nykowski-64_w36WHhr.jpg" /&#62;
&#60;img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/82ad0e54557f87c636e52b9f18a72f19650c7fd138f349ff3ce627e93ad34305/Edukacja_Seksualna_Fot._Piotr_Nykowski-19_wO1Oh3h.jpg" data-mid="193682424" border="0"  src="https://freight.cargo.site/w/1000/i/82ad0e54557f87c636e52b9f18a72f19650c7fd138f349ff3ce627e93ad34305/Edukacja_Seksualna_Fot._Piotr_Nykowski-19_wO1Oh3h.jpg" /&#62;
&#60;img width="3024" height="2012" width_o="3024" height_o="2012" data-src="https://freight.cargo.site/t/original/i/c804ed46397404f9dbfb66106e4eb670a04b601038d57fa274f993adf44d1cf5/o-Edukacja_Seksualna_Fot._Piotr_Nykowski-69_VWXRN68.jpg" data-mid="193682615" border="0"  src="https://freight.cargo.site/w/1000/i/c804ed46397404f9dbfb66106e4eb670a04b601038d57fa274f993adf44d1cf5/o-Edukacja_Seksualna_Fot._Piotr_Nykowski-69_VWXRN68.jpg" /&#62;
&#60;img width="3024" height="2012" width_o="3024" height_o="2012" data-src="https://freight.cargo.site/t/original/i/d120d769aa03bca9729477862d50a2d24ceb37db568efb3b13d62992005c449a/o-Edukacja_Seksualna_Fot._Piotr_Nykowski-58_6msujcJ.jpg" data-mid="193682620" border="0"  src="https://freight.cargo.site/w/1000/i/d120d769aa03bca9729477862d50a2d24ceb37db568efb3b13d62992005c449a/o-Edukacja_Seksualna_Fot._Piotr_Nykowski-58_6msujcJ.jpg" /&#62;
&#60;img width="3024" height="2012" width_o="3024" height_o="2012" data-src="https://freight.cargo.site/t/original/i/67fab70eb3b20c43db80a32c31831e65463ad150380d64cc673104d242efb963/o-Edukacja_Seksualna_Fot._Piotr_Nykowski-18_1IcXFvi-2.jpg" data-mid="193682622" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/67fab70eb3b20c43db80a32c31831e65463ad150380d64cc673104d242efb963/o-Edukacja_Seksualna_Fot._Piotr_Nykowski-18_1IcXFvi-2.jpg" /&#62;
&#60;img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/f9efba963b9ba11c4a094b4af37b54977687b8c6be3a6e2963afbf62d2e39e0d/Edukacja_Seksualna_Fot._Piotr_Nykowski-79_wezRX8b.jpg" data-mid="193682425" border="0"  src="https://freight.cargo.site/w/1000/i/f9efba963b9ba11c4a094b4af37b54977687b8c6be3a6e2963afbf62d2e39e0d/Edukacja_Seksualna_Fot._Piotr_Nykowski-79_wezRX8b.jpg" /&#62;

fot. Piotr Nykowski
 &#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>CHOSEN THEATRE COLLAB 2014/2018</title>
				
		<link>https://michaldobrucki.eu/CHOSEN-THEATRE-COLLAB-2014-2018</link>

		<pubDate>Sun, 02 Apr 2023 18:04:24 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/CHOSEN-THEATRE-COLLAB-2014-2018</guid>

		<description>
	Index &#38;nbsp; Next︎




CHOSEN THEATRE COLLABORATIONS 2014/2018

Czarne Papugi / Black Parrots, 2018&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Michał Borczuch


premiere:
16 June 2018&#38;nbsp; MOS Małopolski Ogród Sztuki, Kraków

video

&#60;img width="1500" height="998" width_o="1500" height_o="998" data-src="https://freight.cargo.site/t/original/i/062a90eacd5b5983a648b73e2b6a7157246117879fe3c210d2d4bc9e013ef181/black-parrots.jpg" data-mid="174006168" border="0"  src="https://freight.cargo.site/w/1000/i/062a90eacd5b5983a648b73e2b6a7157246117879fe3c210d2d4bc9e013ef181/black-parrots.jpg" /&#62;
&#60;img width="670" height="446" width_o="670" height_o="446" data-src="https://freight.cargo.site/t/original/i/31267a481ad5d29ab852a8ad2f38bd5c865f586683f660e06ffb54b99a4ab868/Czarne_papugi_Teatr_Slowackiego_12_original_670.jpeg" data-mid="174006182" border="0"  src="https://freight.cargo.site/w/670/i/31267a481ad5d29ab852a8ad2f38bd5c865f586683f660e06ffb54b99a4ab868/Czarne_papugi_Teatr_Slowackiego_12_original_670.jpeg" /&#62;





&#60;img width="670" height="1005" width_o="670" height_o="1005" data-src="https://freight.cargo.site/t/original/i/07b7e095851619cb30a55fb6230be0301b6519882de6cbff2bb8a5d23405af8f/Czarne_papugi_Teatr_Slowackiego_3_original_670.jpeg" data-mid="174006184" border="0"  src="https://freight.cargo.site/w/670/i/07b7e095851619cb30a55fb6230be0301b6519882de6cbff2bb8a5d23405af8f/Czarne_papugi_Teatr_Slowackiego_3_original_670.jpeg" /&#62;
&#60;img width="670" height="1005" width_o="670" height_o="1005" data-src="https://freight.cargo.site/t/original/i/6768d4c783cf55b66daaf76dfb256b300ff83d76179e558b927dd3f06a5ea262/Czarne_papugi_Teatr_Slowackiego_11_original_670.jpeg" data-mid="174006183" border="0"  src="https://freight.cargo.site/w/670/i/6768d4c783cf55b66daaf76dfb256b300ff83d76179e558b927dd3f06a5ea262/Czarne_papugi_Teatr_Slowackiego_11_original_670.jpeg" /&#62;
&#60;img width="415" height="585" width_o="415" height_o="585" data-src="https://freight.cargo.site/t/original/i/fc5075c0d57dbaaff0f0803a5cfc02e281fa745c7f35752d9f073c3d29211691/czarne-papugi-plakat.png" data-mid="174006169" border="0"  src="https://freight.cargo.site/w/415/i/fc5075c0d57dbaaff0f0803a5cfc02e281fa745c7f35752d9f073c3d29211691/czarne-papugi-plakat.png" /&#62;


Dupki, 2018&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Michał Borczuch


premiere:
02 July 2016, KOMUNA WARSZAWA

video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  set design&#60;img width="1024" height="682" width_o="1024" height_o="682" data-src="https://freight.cargo.site/t/original/i/13f2c2c885977f3b53ff0d77297331df9457ae4cb4698a09d24655369290a551/dup1.png" data-mid="174006177" border="0"  src="https://freight.cargo.site/w/1000/i/13f2c2c885977f3b53ff0d77297331df9457ae4cb4698a09d24655369290a551/dup1.png" /&#62;&#60;img width="979" height="650" width_o="979" height_o="650" data-src="https://freight.cargo.site/t/original/i/2f964081474d6099c6c560724fe48c06afb778ba7218884b3fd1d873b56621f5/dup2.png" data-mid="174006178" border="0"  src="https://freight.cargo.site/w/979/i/2f964081474d6099c6c560724fe48c06afb778ba7218884b3fd1d873b56621f5/dup2.png" /&#62;&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/4947d2f76bd4569bbf388aa231e3517821f062034ba9f2352900e7b4e1013a59/dup3.gif" data-mid="174006179" border="0"  src="https://freight.cargo.site/w/600/i/4947d2f76bd4569bbf388aa231e3517821f062034ba9f2352900e7b4e1013a59/dup3.gif" /&#62;&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/7b5549c80556add6258f7b11f1399c1fc79d8aab0313a8f8de14083879301329/dup4.gif" data-mid="174006180" border="0"  src="https://freight.cargo.site/w/600/i/7b5549c80556add6258f7b11f1399c1fc79d8aab0313a8f8de14083879301329/dup4.gif" /&#62;

Wszystko o Mojej Matce / All About My Mother, 2018&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Michał Borczuch


premiere:
22 April 2016, Teatr Łaźnia Nowa, Kraków


video

&#60;img width="670" height="446" width_o="670" height_o="446" data-src="https://freight.cargo.site/t/original/i/47e6fc92edf4b2f1344e104869a0845d51ee7b6615780cd0ad7681212d7805b9/1-min_670.jpeg" data-mid="174006185" border="0"  src="https://freight.cargo.site/w/670/i/47e6fc92edf4b2f1344e104869a0845d51ee7b6615780cd0ad7681212d7805b9/1-min_670.jpeg" /&#62;&#60;img width="670" height="446" width_o="670" height_o="446" data-src="https://freight.cargo.site/t/original/i/bdc0f3230ba13e694a9cf2f3b7dc7a58b9f7b22bca493cb783b36ba87ba8022a/26-min_670.jpeg" data-mid="174006186" border="0"  src="https://freight.cargo.site/w/670/i/bdc0f3230ba13e694a9cf2f3b7dc7a58b9f7b22bca493cb783b36ba87ba8022a/26-min_670.jpeg" /&#62;

Doppelganger, 2017&#38;nbsp;&#38;nbsp; &#38;nbsp;  &#38;nbsp;(czytanie performatywne dramatu Sandry Szwarc)
&#38;nbsp; &#38;nbsp; 

dir. Jacek Poniedziałek


premiere:
02 September 2017, Teatr Współczesny, Wrocław
20 November 2017, Nowy Teatr, Warszawa

video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  set design


DOPPELGANGER trailer

Powolne ciemnienie malowideł Jerzego Grzegorzewskiego -&#38;nbsp;czytanie performatywne, 2017&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Michał Borczuch


premiere:
10 April 2017, Teatr Studio, Warszawa


video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  set design

Bydło / Cattle, 2016&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Jacek Poniedziałek


premiere:
 20 December 2016, Teatr Studio, Warszawa

set design&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  costumes&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  video

&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b90de79a3e17ef7c0e160c27fb3de2721d4ac6a69cbfce366d40cd78e071b34e/IMG_2436.jpg" data-mid="174006173" border="0"  src="https://freight.cargo.site/w/667/i/b90de79a3e17ef7c0e160c27fb3de2721d4ac6a69cbfce366d40cd78e071b34e/IMG_2436.jpg" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2dbc233893c569b53877fb1b42579995da9a9bcd770123e8091b3ca7ce3769b0/FUJKA.jpg" data-mid="174006172" border="0"  src="https://freight.cargo.site/w/1000/i/2dbc233893c569b53877fb1b42579995da9a9bcd770123e8091b3ca7ce3769b0/FUJKA.jpg" /&#62;
&#60;img width="1047" height="698" width_o="1047" height_o="698" data-src="https://freight.cargo.site/t/original/i/dcdedc91f898eaa30bc43601684082891cf32dfa48ae19ebab162a19455eaeca/Zrzut-ekranu-2018-11-10-o-02.39.10.png" data-mid="174006176" border="0"  src="https://freight.cargo.site/w/1000/i/dcdedc91f898eaa30bc43601684082891cf32dfa48ae19ebab162a19455eaeca/Zrzut-ekranu-2018-11-10-o-02.39.10.png" /&#62;
&#60;img width="561" height="664" width_o="561" height_o="664" data-src="https://freight.cargo.site/t/original/i/865aede2fc61ef843bdaf2c129236ceb098b940f77aeb7a55bb71eab52d937ba/lezanka-ze-stekiem.jpg" data-mid="174006174" border="0"  src="https://freight.cargo.site/w/561/i/865aede2fc61ef843bdaf2c129236ceb098b940f77aeb7a55bb71eab52d937ba/lezanka-ze-stekiem.jpg" /&#62;
&#60;img width="600" height="450" width_o="600" height_o="450" data-src="https://freight.cargo.site/t/original/i/8c20106701959a03248f357aacdbea93c1a9d23283c4d5d4fba72672343bf664/ezgif-1750b5bbea5e820c.gif" data-mid="249335665" border="0"  src="https://freight.cargo.site/w/600/i/8c20106701959a03248f357aacdbea93c1a9d23283c4d5d4fba72672343bf664/ezgif-1750b5bbea5e820c.gif" /&#62;
&#60;img width="1049" height="698" width_o="1049" height_o="698" data-src="https://freight.cargo.site/t/original/i/1a44c14a92d1e3da58a0483afd6e3318a71ddcbdcf082e5bca92b0a7e4e483f3/Zrzut-ekranu-2018-11-10-o-02.38.05.png" data-mid="174006175" border="0"  src="https://freight.cargo.site/w/1000/i/1a44c14a92d1e3da58a0483afd6e3318a71ddcbdcf082e5bca92b0a7e4e483f3/Zrzut-ekranu-2018-11-10-o-02.38.05.png" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/832a7cd9823e9333f7bb7496956183c472162dbdf27b7eb73b6c662361668658/krzysztof-bielinski2.jpg" data-mid="249335561" border="0"  src="https://freight.cargo.site/w/1000/i/832a7cd9823e9333f7bb7496956183c472162dbdf27b7eb73b6c662361668658/krzysztof-bielinski2.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/0c5f6ba50e44795acf32f852c89444350305576f4952df7f6412bbaf34d22d1f/krzysztof-bielinski.jpg" data-mid="249335562" border="0"  src="https://freight.cargo.site/w/1000/i/0c5f6ba50e44795acf32f852c89444350305576f4952df7f6412bbaf34d22d1f/krzysztof-bielinski.jpg" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/3d31a1fbe847d1587a2d3cf86dd9d528b8d6a60517e33afa415575169d2d3fbf/IMG_5137.JPG" data-mid="249335634" border="0"  src="https://freight.cargo.site/w/1000/i/3d31a1fbe847d1587a2d3cf86dd9d528b8d6a60517e33afa415575169d2d3fbf/IMG_5137.JPG" /&#62;
&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/52c1a50371a4615b6ab5d5e116ef74ef900c0ea488f2ab479788f0c1f16db21a/IMG_5212.JPG" data-mid="249335633" border="0"  src="https://freight.cargo.site/w/1000/i/52c1a50371a4615b6ab5d5e116ef74ef900c0ea488f2ab479788f0c1f16db21a/IMG_5212.JPG" /&#62;
&#60;img width="3264" height="2176" width_o="3264" height_o="2176" data-src="https://freight.cargo.site/t/original/i/bdaf5cc2715af8365aaccc20e0df6a4f3b34e646f6f2c79dd66f3fb85686cb25/IMG_5249b.jpg" data-mid="249335635" border="0"  src="https://freight.cargo.site/w/1000/i/bdaf5cc2715af8365aaccc20e0df6a4f3b34e646f6f2c79dd66f3fb85686cb25/IMG_5249b.jpg" /&#62;







Who's Afraid of Virginia Woolf?, 2016&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Jacek Poniedziałek


premiere:
29 January 2016, Teatr Polonia, Warszawa

video&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;  sound design

&#60;img width="1029" height="577" width_o="1029" height_o="577" data-src="https://freight.cargo.site/t/original/i/db07793730a44cf571b09e0265799b239158195ed5fcb0b9f593d4c8ae085cb6/Zrzut-ekranu-2018-11-11-o-23.22.51.png" data-mid="174006167" border="0"  src="https://freight.cargo.site/w/1000/i/db07793730a44cf571b09e0265799b239158195ed5fcb0b9f593d4c8ae085cb6/Zrzut-ekranu-2018-11-11-o-23.22.51.png" /&#62;



Paradiso, 2014&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
dir. Michał Borczuch


premiere:
21 June 2014, Łaźnia Nowa Theatre, Kraków

multimedia

&#60;img width="2030" height="1350" width_o="2030" height_o="1350" data-src="https://freight.cargo.site/t/original/i/ecdb8aec0b30992d3584f8b8286fa5052d5fb1fac4b7b6d1ee56e8b5d5427241/Zrzut-ekranu-2023-04-29-o-14.09.02.png" data-mid="177108903" border="0"  src="https://freight.cargo.site/w/1000/i/ecdb8aec0b30992d3584f8b8286fa5052d5fb1fac4b7b6d1ee56e8b5d5427241/Zrzut-ekranu-2023-04-29-o-14.09.02.png" /&#62;
&#60;img width="2310" height="1520" width_o="2310" height_o="1520" data-src="https://freight.cargo.site/t/original/i/b046820b64dbaa4004d2108758e8c7fcf57c8c8318cc313a5d974575e44f8c5f/Zrzut-ekranu-2023-04-29-o-14.09.43.png" data-mid="177108902" border="0"  src="https://freight.cargo.site/w/1000/i/b046820b64dbaa4004d2108758e8c7fcf57c8c8318cc313a5d974575e44f8c5f/Zrzut-ekranu-2023-04-29-o-14.09.43.png" /&#62;
&#60;img width="1404" height="936" width_o="1404" height_o="936" data-src="https://freight.cargo.site/t/original/i/1052d08c36b2c04c7158a5cfcebda52aaa453524b1168c35cacca08a13e47aa1/4_1410349281.jpg" data-mid="177108904" border="0"  src="https://freight.cargo.site/w/1000/i/1052d08c36b2c04c7158a5cfcebda52aaa453524b1168c35cacca08a13e47aa1/4_1410349281.jpg" /&#62;

fot. Tomasz Wiech</description>
		
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	<item>
		<title>CONFESSION (2015)</title>
				
		<link>https://michaldobrucki.eu/CONFESSION-2015</link>

		<pubDate>Sun, 11 Nov 2018 15:38:50 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/CONFESSION-2015</guid>

		<description>Index &#38;nbsp; Next︎
Spowiedź (Confession)
performance documentation, 09:52min
 - acquisition&#38;nbsp;to the Filmoteka of the Museum of Modern&#38;nbsp;Art in Warsaw
2016
Video with english subtitles avialiable on Filmoteka of the Museum of Modern Art in Warsaw
https://archiwum.artmuseum.pl/en/archiwum/archiwum-polskiego-performansu/2918/130100


(EN) “Confession” is a performance footage that does not feature any filmed images. The soundtrack consists of dialogue, accompanied by the sounds of a holy mass heard in the background. It documents an act of atonement: a real life confession made by the artist—a confidential conversation that has been recorded and presented in public. Inside the confessional Dobrucki talks about his life and doubts using quotes from Ingmar Bergman’s film “The Seventh Seal.”

In so doing, the artist evokes fundamental existential issues. Yet the staged situation and the performed role gain authenticity as a dialogue owing to the approach of the priest, who ventures to answer the doubts and wants to share the burden of indecision. It is does not matter if he is aware of his role in the artist’s work.

Dobrucki’s interests focus on the questions raised by the ritual of washing away sins, a procedure that releases the individual from the committed moral wrongs and restores the ties with the religious community. The ritual requires contrition and shame for the committed wrongs. Dobrucki’s artistic activity, which feeds on the sacrament of penance, is an attempt to recreate this rite of passage.

His work can be described as a profanation in its original sense—relocating the sacrament from the sacred sphere to the sphere of use with a&#38;nbsp;view to understanding its mystery and transformative force. How is penance for sins chosen? What is the gravity of this act? What is the power of forgiveness? How can it influence the community? If a&#38;nbsp;performance adopts the form of a&#38;nbsp;confession; Does it wash away the sins?

(PL)
Spowiedź to rejestracja performansu wypełniona jedynie ścieżką dialogu i rozbrzmiewającymi w tle dźwiękami mszy świętej. Jest dokumentacją aktu pokuty, realnej spowiedzi odbytej przez autora, rozmowy poufnej zarejestrowanej i przywoływanej publicznie. W trakcie dialogu w konfesjonale opisuje on swoje życie i rozterki za pomocą słów zaczerpniętych z filmu Siódma pieczęć Ingmara Bergmana, poddając pod dyskusję najpoważniejsze zagadnienia egzystencjalne. Rola odgrywana w inscenizowanej sytuacji przemienia się w prawdziwy dialog dzięki postawie kapłana, który próbuje odpowiedzieć na pojawiające się wątpliwości, przyjmując na siebie ciężar rozterek. Nie jest przy tym istotne, czy rozpoznał się jako odtwórca roli.

Zainteresowanie Dobruckiego skupia się wokół kwestii związanych z rytuałem obmycia z&#38;nbsp;grzechów, procedurą, która uwalnia jednostkę z&#38;nbsp;przewin moralnych, przywracając jej związek ze wspólnotą wiary. Rytuał ten wymaga wzbudzenia w&#38;nbsp;spowiadającej się osobie żalu za grzechy, swoistego wstydu za dokonane czynności. Dobrucki stara się odtworzyć taką sytuację przejścia podczas aktu artystycznego, który powstaje w&#38;nbsp;trakcie jednego z&#38;nbsp;sakramentów. Można opisać jego działania, używając pojęcia profanacji w&#38;nbsp;jej pierwotnym znaczeniu – wyjścia z&#38;nbsp;obszaru świętości i&#38;nbsp;powrotu rytuału spowiedzi do sfery użytkowania, co pozwala zgłębić jej tajemnicę i&#38;nbsp;siłę przemiany. Jak wyznacza się pokutę za grzechy, gdzie leży ich ciężar, czym jest władza ich odpuszczania i&#38;nbsp;jaki dzięki niej uzyskuje się wpływ na wspólnotę? Jeżeli performans mógłby przyjąć formę wyznania grzechów i&#38;nbsp;rozmowy, to czy prowadzi do oczyszczenia?


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ad0066c437d61a1085a48c2e9de265390522161862d0ffb819e9b5bdeed811e1/renegocjacje.jpg" data-mid="222667336" border="0"  src="https://freight.cargo.site/w/1000/i/ad0066c437d61a1085a48c2e9de265390522161862d0ffb819e9b5bdeed811e1/renegocjacje.jpg" /&#62;


View of the exhibition Communis – Renegotiating Community (2016), Galeria Labirynt, Lublin. Photo: Diana Kołczewska</description>
		
	</item>
		
		
	<item>
		<title>NEW NORMAL IS SAME OLD SHIT (2020)</title>
				
		<link>https://michaldobrucki.eu/NEW-NORMAL-IS-SAME-OLD-SHIT-2020</link>

		<pubDate>Thu, 01 Oct 2020 17:57:01 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/NEW-NORMAL-IS-SAME-OLD-SHIT-2020</guid>

		<description>Index &#38;nbsp; Next︎
new normal is same old shit 
HD video, 5:49 min
no sound
english intertitles
&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/b4db617ff31663176f6fa877aa7992ca9bd259df583951681f92fa3ab361d280/Screenshot-2020-11-12-at-13.04.28.png" data-mid="112687714" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/b4db617ff31663176f6fa877aa7992ca9bd259df583951681f92fa3ab361d280/Screenshot-2020-11-12-at-13.04.28.png" /&#62;&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/a0fd8566fe8f61c0df9619f0c4fa7d5c610ba178fbc11fbb1a855576fab6fd6f/Screenshot-2020-11-12-at-13.05.11.png" data-mid="112687712" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/a0fd8566fe8f61c0df9619f0c4fa7d5c610ba178fbc11fbb1a855576fab6fd6f/Screenshot-2020-11-12-at-13.05.11.png" /&#62;

I MET A NUDE FIGURE FROM DUCHAMP'S ÉTANT DONNÉS ON SEX CAMS

 Work focusing on the modern representation of human body on webcams.

 Bodies seeking experience in intimate participation through live streaming webcams formally repeat Courbet’s L'Origine du monde and Duchamp’s Étant donnés. 

Although entirely realized as a 3D animation, the work adopts the language of silent cinema and reflects on the voyeuristic foundations of visual culture and forms of intimacy mediated by the image.

&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/7a5a01608e32b278ce8bedd27e5d89c65d30bf261baf48e3da3578d1d63823d2/Screenshot-2020-11-12-at-13.05.55.png" data-mid="112687711" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/7a5a01608e32b278ce8bedd27e5d89c65d30bf261baf48e3da3578d1d63823d2/Screenshot-2020-11-12-at-13.05.55.png" /&#62;

new normal is same old shit (2020) stills from the film. HD video, color, no sound, 5:49 min.



produced with support of Adam Mickiewicz Institute


“The invisible may be hidden in gaps, cracks that lead within, underneath the surface, to the other side of reality. The same reality, though.”

What is given?

Just you and me.

Or just me?

I

I can hear you breathing.

So you are more than anonymous eyes.

“By looking we not only extract the observed reality, but also wake it up. It could seem that sight is merely a tool of observation, but in fact it also creates.”

Given: Courbet’s pussy, nude figure from Duchamp’s tableau, Brigitte Bardot in the first scene of Le Mépris, your boss, a person with different political views, a person who would never perform in front of you because you’re a man, because you’re a woman, because they care, because they don’t care, because you don’t care, because you’re a coward, because you’re a fake, because what is real anyway? I also don’t have to be anyone in particular.

“I can see now that the discussed problem reverses the perspective of Plato’s cave because – contrary to what Plato believed – we usually operate in the intense sunlight of brightness, among known and firm values, while lacking what remains in the crack, although there is no truth there as we are facing a mystery, there is no pure good since it does not exist where it cannot be separated from evil.”

“Immersion, however, poses a certain threat to individual existence. For in a state of complete permeation, confusion of the sides, mutual infiltration, it is difficult to determine what exists in what, what is the image and what is its background.”

The frame I choose,
What I expose,
What I keep out of view,
The ways you can access the image
Give me control over my representation.
But my representation is just an echo,
But my representation is just an echo
Of Courbet’s pussy, the nude figure from Duchamp’s tableau, Brigitte Bardot in the first scene of Le Mépris, your boss, a person with different political views.

“My body thus becomes the body of the world.”

“One might say we form something of a natural compound of the intimate and the universal form of existence. Our personal experience not only goes beyond ourselves, but also beyond human experience towards complete universality, towards complete existence, which we embody and point at with our individual presence.”

The Old Masters’ drives are echoed in my drives.

Me
Be me
Be with me
Be with
Me

“It’s easy to notice that each of us is a crack in reality. Not only for others but also for oneself. The world cracks in the place where we are.”

And no matter if you call it immersion or illusion.

Contains quotations from Jolanta Brach-Czaina’s book Szczeliny istnienia [Cracks in Existence] from 1992.</description>
		
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	<item>
		<title>THE BLUE MARBLE (DETAIL) (2023)</title>
				
		<link>https://michaldobrucki.eu/THE-BLUE-MARBLE-DETAIL-2023</link>

		<pubDate>Mon, 03 Apr 2023 15:39:58 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/THE-BLUE-MARBLE-DETAIL-2023</guid>

		<description>Index &#38;nbsp; Next︎
The Blue Marble (detail)
animation, 3 minno sound
🎵
Mother Earth is pregnant for the third timeFor y'all have knocked her up.I have tasted the maggots in the mind of the universeI was not offendedFor I knew I had to rise above it allOr drown in my own shit.
🎵



	
(ENG)
The video work Blue Marble (detail) references the iconic image of Earth — Blue Marble, the first full photograph of our planet taken in 1972 by the Apollo 17 crew. That image, monumental in both scale and significance, presented Earth as a harmonious whole — beautiful, fragile, and suspended in the vastness of space.

In contrast to the wide perspective of the original Blue Marble, this work delves into the microcosm, focusing on detail and its complexity. Blue Marble (detail) is a chain animation composed of hundreds of generated flower petals that form organic structures through constant motion. At times, their pulsating configurations resemble an EKG recording of a pregnant belly — where the rhythm of life reveals itself in subtle lines and flickers.

In this piece, detail becomes a space of discovery — the flower petals symbolize delicacy and transience, while their orderly movement points to the intricate mechanisms of nature. The animation is both an exploration of fragmented perception and a meditation on the emergence of life. Blue Marble (detail) is a dialogue between the micro and the macro, between the cosmic perspective and the intimacy hidden within the particles of existence.(PL)Praca video "Blue Marble (detail)" nawiązuje do ikonicznego obrazu Ziemi – "Blue Marble", pierwszego pełnego zdjęcia naszej planety wykonanej w 1972 roku przez załogę Apollo 17. Tamten obraz, monumentalny w swej skali i znaczeniu, ukazał Ziemię jako harmonijną całość – piękną, kruchą, zawieszoną w przestrzeni kosmicznej.
W przeciwieństwie do szerokiego spojrzenia "Blue Marble", praca ta eksploruje mikroświat, skupiając się na detalu i jego złożoności. "Blue Marble (detail)" jest animacją łańcuchową zbudowaną z setek wygenerowanych płatków kwiatów, które w nieustannym ruchu tworzą organiczne struktury. Momentami ich pulsujące układy przywodzą na myśl zapis EKG brzucha w ciąży, w którym rytm życia objawia się w subtelnych liniach i migotaniach.
W tej pracy detal staje się przestrzenią odkrycia – płatki kwiatów symbolizują delikatność i ulotność, podczas gdy ich uporządkowany ruch wskazuje na skomplikowane mechanizmy natury. Animacja jest jednocześnie badaniem fragmentarycznej percepcji i medytacją nad powstawaniem życia. "Blue Marble (detail)" to dialog między mikro a makro, między kosmiczną perspektywą a intymnością ukrytą w cząstkach istnienia.











</description>
		
	</item>
		
		
	<item>
		<title>LONG STORY SHORT (2023) </title>
				
		<link>https://michaldobrucki.eu/LONG-STORY-SHORT-2023</link>

		<pubDate>Fri, 14 Jul 2023 11:50:42 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/LONG-STORY-SHORT-2023</guid>

		<description>Index &#38;nbsp; Next︎
LONG STORY SHORTsolo show at S35 Gallery




&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/cc9a1804f9078899cffb50e214a576ec175b43ffbaa38698a1f5b375bc8657ca/DSC_8940.jpg" data-mid="185051851" border="0"  src="https://freight.cargo.site/w/1000/i/cc9a1804f9078899cffb50e214a576ec175b43ffbaa38698a1f5b375bc8657ca/DSC_8940.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/82bbe9dd34bcbfaeed4dfb294335f5ebcea072bfc9105842925b053eee55fa9a/DSC_8923.jpg" data-mid="185051845" border="0"  src="https://freight.cargo.site/w/1000/i/82bbe9dd34bcbfaeed4dfb294335f5ebcea072bfc9105842925b053eee55fa9a/DSC_8923.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/1a6524b0cfd099cc6961dff9c409cdcce21677c7a747ee3d18455befc9826743/DSC_8922.jpg" data-mid="185051844" border="0"  src="https://freight.cargo.site/w/1000/i/1a6524b0cfd099cc6961dff9c409cdcce21677c7a747ee3d18455befc9826743/DSC_8922.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/793c5b03f19e934ab8e9f39cfe2b97d7f4dd890da055b373de85c0e51538ddb6/DSC_8925.jpg" data-mid="185051846" border="0"  src="https://freight.cargo.site/w/1000/i/793c5b03f19e934ab8e9f39cfe2b97d7f4dd890da055b373de85c0e51538ddb6/DSC_8925.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/b400336681b525f2e4b944e820bdc7210d4788fbd653bdc846622ec28e08ef03/DSC_8955.jpg" data-mid="185051855" border="0"  src="https://freight.cargo.site/w/1000/i/b400336681b525f2e4b944e820bdc7210d4788fbd653bdc846622ec28e08ef03/DSC_8955.jpg" /&#62;



	

&#38;nbsp; &#38;nbsp;Framing in photography goes beyond the selection of what is visible within the frame; it also determines what is excluded. Modern AI algorithms possess the capability to analyze elements present within the frame and generate theoretical extensions of the image. By recognizing patterns and context, they can predict how a given scene might appear beyond the frame's boundaries and generate credible extensions.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

&#38;nbsp; &#38;nbsp; However, framing is more than a technical decision—it is a gesture that subordinates visibility to the logic of desire. What is included in the frame is rendered visible and inscribed within relations of power, hierarchy, and consumption. Images are subject to market mechanisms, becoming objects of desire while also functioning as tools that generate that desire. Every frame carries the potential for manipulation: the selection of certain elements inherently excludes others, and what is made visible constructs a narrative designed to satisfy our aesthetic and emotional needs.

The ability to extend a frame offered by AI algorithms operates as an extension of this logic. Going beyond the boundaries of the original image not only speculates on what might be there but also intensifies desire—the urge to see "more" or "better." Yet, each such extension also presents an opportunity for critical analysis. By examining what is completed or imagined, we can reflect on the desires driving our gaze and why certain elements of a scene—images, bodies, spaces—become the focus of attention.

Frame extension thus becomes not only a technology of the image but also a tool for reflection. What is added reveals what was previously overlooked, and the very desire to look beyond the frame exposes the mechanisms shaping our perception. In this way, we can not only explore what is hidden but also understand how deeply our gaze is shaped by structures of desire and power.









&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/699eab364653a3156d86fdcb51167a4e2238e788f6d8f7a443ec884905ec4c28/DSC_8914.jpg" data-mid="185051841" border="0"  src="https://freight.cargo.site/w/1000/i/699eab364653a3156d86fdcb51167a4e2238e788f6d8f7a443ec884905ec4c28/DSC_8914.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/48494b71a6ba73887abbd8ed9f984bc384452f6b61a9a95b9a7182e458d97c8a/DSC_8957.jpg" data-mid="185051857" border="0"  src="https://freight.cargo.site/w/1000/i/48494b71a6ba73887abbd8ed9f984bc384452f6b61a9a95b9a7182e458d97c8a/DSC_8957.jpg" /&#62;&#60;img width="6000" height="3991" width_o="6000" height_o="3991" data-src="https://freight.cargo.site/t/original/i/35cfc8048e3b0049d6320f5cd00cc7fe80d1c5dd2369259e0061f81107ca110e/DSC_8915.jpg" data-mid="185051842" border="0"  src="https://freight.cargo.site/w/1000/i/35cfc8048e3b0049d6320f5cd00cc7fe80d1c5dd2369259e0061f81107ca110e/DSC_8915.jpg" /&#62;&#60;img width="3007" height="2000" width_o="3007" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2d7cdffe8762c459881693789e77a4a1cc0dc43216fd35e7fb093414c5bd270e/DSC_8947b.png" data-mid="185056148" border="0"  src="https://freight.cargo.site/w/1000/i/2d7cdffe8762c459881693789e77a4a1cc0dc43216fd35e7fb093414c5bd270e/DSC_8947b.png" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/07aa8e88be228289354f198b23e94ef3d5d4a413d842de22e43508938292a9cd/DSC_8938.jpg" data-mid="185051850" border="0"  src="https://freight.cargo.site/w/1000/i/07aa8e88be228289354f198b23e94ef3d5d4a413d842de22e43508938292a9cd/DSC_8938.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/a806bce25b41319a6f30860c77d46759dca33640d3120ebafed275fb5815beb5/DSC_8928.jpg" data-mid="185051847" border="0"  src="https://freight.cargo.site/w/1000/i/a806bce25b41319a6f30860c77d46759dca33640d3120ebafed275fb5815beb5/DSC_8928.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/ba96b73d8c04c6bef44cde18d017c3221d3e7e1cb80977ac519945c3c5044bd1/DSC_8945.jpg" data-mid="185051852" border="0"  src="https://freight.cargo.site/w/1000/i/ba96b73d8c04c6bef44cde18d017c3221d3e7e1cb80977ac519945c3c5044bd1/DSC_8945.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/d8e65c4da7aeef5f319b4407d3b3816e176818d6411cc33d14d607a6ab56126b/DSC_8947.jpg" data-mid="185055817" border="0"  src="https://freight.cargo.site/w/1000/i/d8e65c4da7aeef5f319b4407d3b3816e176818d6411cc33d14d607a6ab56126b/DSC_8947.jpg" /&#62;&#60;img width="6000" height="3993" width_o="6000" height_o="3993" data-src="https://freight.cargo.site/t/original/i/7a4ad159a52325380518c018c01f56787df16115ee8db3a3444f5bc5245aab1f/DSC_8932.jpg" data-mid="185051849" border="0"  src="https://freight.cargo.site/w/1000/i/7a4ad159a52325380518c018c01f56787df16115ee8db3a3444f5bc5245aab1f/DSC_8932.jpg" /&#62;&#60;img width="6000" height="3992" width_o="6000" height_o="3992" data-src="https://freight.cargo.site/t/original/i/96eb43e8eccb75c24231b1e8eda59505bb5cccfd9c8d7eaea529fe0db80246d1/DSC_8953.jpg" data-mid="185051854" border="0"  src="https://freight.cargo.site/w/1000/i/96eb43e8eccb75c24231b1e8eda59505bb5cccfd9c8d7eaea529fe0db80246d1/DSC_8953.jpg" /&#62;
fot. Zbigniew Olszyna

Kadrowanie w fotografii nie ogranicza się jedynie do wyboru tego, co jest widoczne w ramach obrazu, ale również determinuje, co zostaje wykluczone. Nowoczesne algorytmy AI mają zdolność analizowania elementów znajdujących się wewnątrz kadru i generowania teoretycznych rozszerzeń obrazu. Dzięki rozpoznawaniu wzorców i kontekstu są w stanie przewidzieć, jak dana scena mogłaby wyglądać poza granicami ramy i generować takie rozszerzenia w sposób wiarygodny.
Kadrowanie jest jednak czymś więcej niż techniczną decyzją – to gest, który podporządkowuje widzialność logice pożądania. To, co znajdzie się w kadrze, zostaje uwidocznione i wpisane w relacje władzy, hierarchii i konsumpcji. Obrazy podlegają mechanizmom rynkowym, stając się obiektami pragnienia, ale także narzędziami, które to pragnienie generują. Każdy kadr zawiera w sobie potencjał manipulacji: wybór jednych elementów oznacza wykluczenie innych, a to, co widoczne, konstruuje narrację, która ma zaspokajać nasze potrzeby estetyczne i emocjonalne.
Możliwość rozszerzania kadru, jaką oferują algorytmy AI, działa jak przedłużenie tej logiki. Wykraczanie poza granice pierwotnego obrazu nie tylko spekuluje na temat tego, co mogłoby tam być, ale również intensyfikuje pożądanie – chęć zobaczenia „więcej” lub „lepiej”. Każde takie rozszerzenie jest jednak także okazją do krytycznej analizy. Przyglądając się temu, co zostaje dopełnione lub wyobrażone, możemy zastanowić się, jakie pragnienia kierują naszym spojrzeniem i dlaczego określone elementy sceny – obrazy, ciała, przestrzenie – stają się przedmiotem uwagi.
Rozszerzanie kadru staje się więc nie tylko technologią obrazu, ale także narzędziem refleksji. To, co dodane, ujawnia to, co wcześniej było pomijane, a samo pragnienie spojrzenia poza kadr obnaża mechanizmy kształtujące nasze postrzeganie. W ten sposób możemy nie tylko eksplorować to, co ukryte, ale też zrozumieć, jak bardzo nasze spojrzenie jest kształtowane przez struktury pożądania i władzy.

	
	
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		<title>ICARUS (2018)</title>
				
		<link>https://michaldobrucki.eu/ICARUS-2018</link>

		<pubDate>Mon, 16 Mar 2020 20:47:54 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/ICARUS-2018</guid>

		<description>Index &#38;nbsp; Next︎
IcarusHD video, 02:26min
soundenglish intertitles



A video piece referring to the myth of Icarus. A drone - an instrument of surveillance, armed with a camera that provides visual evidence. In this case it became a protagonist by being transfigured into Icarus, whose desire of seeing everything from god's perspective led him to tragedy.
In my work I used a fragment of Michel de Certeau’s book The Practice of Everyday Life.

An Icarus flying above these waters, he can ignore the devices of Daedalus in mobile and endless labyrinths far below.
His elevation transfigures him into a voyeur. It puts him at a distance. It transforms the bewitching world by which one was "possessed" into a text that lies before one's eyes. It allows one to read it, to be a solar Eye, looking down like a God.
The exaltation of a scopic and gnostic drive: the fiction of knowledge is related to this lust to be a viewpoint and nothing more.


(Michel de Certeau, The Practice of Everyday Life (Berkeley: Univ. of California Press, 1984), p.92.)

&#60;img width="1000" height="668" width_o="1000" height_o="668" data-src="https://freight.cargo.site/t/original/i/338acd79112510d59b669291baed4390201880dbcc2562fa00c07dbd3cb2124e/s-icarus-1_2000.jpg" data-mid="112687864" border="0"  src="https://freight.cargo.site/w/1000/i/338acd79112510d59b669291baed4390201880dbcc2562fa00c07dbd3cb2124e/s-icarus-1_2000.jpg" /&#62;&#60;img width="1000" height="668" width_o="1000" height_o="668" data-src="https://freight.cargo.site/t/original/i/5f1795a228a21332713ee75ecdb0268cff4c937647b062a654a1bed0234c65d3/s-icarus-2_2000.jpg" data-mid="112687865" border="0"  src="https://freight.cargo.site/w/1000/i/5f1795a228a21332713ee75ecdb0268cff4c937647b062a654a1bed0234c65d3/s-icarus-2_2000.jpg" /&#62;
 Contemporary Theatre in Szczecin. Photo: Kamil Macioł &#60;img width="1000" height="562" width_o="1000" height_o="562" data-src="https://freight.cargo.site/t/original/i/6120c21aeadd4be01e74eb22d631771419c145a0b67c3eda60592eb2405012ee/s-Zrzut-ekranu-2019-05-7-o-13.20.56_1280-kopia.png" data-mid="112687866" border="0"  src="https://freight.cargo.site/w/1000/i/6120c21aeadd4be01e74eb22d631771419c145a0b67c3eda60592eb2405012ee/s-Zrzut-ekranu-2019-05-7-o-13.20.56_1280-kopia.png" /&#62;
Icarus, 2018. HD video, color, sound, 2min 26 sec. Video still
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		<title>PEEPHOLE (2018)</title>
				
		<link>https://michaldobrucki.eu/PEEPHOLE-2018</link>

		<pubDate>Mon, 16 Mar 2020 20:35:26 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/PEEPHOLE-2018</guid>

		<description>Index &#38;nbsp; Next︎
PeepholeHD video, 07:13min
3D animation
no sound



3D animation based on a scan of human body. It refers to last piece of Marcel Duchamp Étant donnés - the work focusing on many issues at an intersection of perception and desire.

The camera moves slowly and steadily back over the body of the model and at one point hides into a peephole to leave the body away. This is the reverse of the original.

&#60;img width="1279" height="717" width_o="1279" height_o="717" data-src="https://freight.cargo.site/t/original/i/cf49927bd4d640eba5e6894f0ec917ba1cbcc8fcabbc3521f2c0817caead192e/Zrzut-ekranu-2019-05-7-o-13.19.10_1279.png" data-mid="112687884" border="0"  src="https://freight.cargo.site/w/1000/i/cf49927bd4d640eba5e6894f0ec917ba1cbcc8fcabbc3521f2c0817caead192e/Zrzut-ekranu-2019-05-7-o-13.19.10_1279.png" /&#62;
Peephole, 2018. HD video, color, no sound, 7min 13 sec. Video still


&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/abdac5af9f73fca5167344b58e519bde8094d9c6212cc5f421aadbdaedf98fe2/ph1_2000.jpg" data-mid="112687881" border="0"  src="https://freight.cargo.site/w/1000/i/abdac5af9f73fca5167344b58e519bde8094d9c6212cc5f421aadbdaedf98fe2/ph1_2000.jpg" /&#62;&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/17faa7ff8350e401850212049d728a496fce12582d750ce9f5feae00c98358f9/ph2_2000.jpg" data-mid="112687882" border="0"  src="https://freight.cargo.site/w/1000/i/17faa7ff8350e401850212049d728a496fce12582d750ce9f5feae00c98358f9/ph2_2000.jpg" /&#62;&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/16140ca282e621923115779abd98680241c8a7e6f978398c2442722122a2c77e/ph3_2000.jpg" data-mid="112687883" border="0"  src="https://freight.cargo.site/w/1000/i/16140ca282e621923115779abd98680241c8a7e6f978398c2442722122a2c77e/ph3_2000.jpg" /&#62;&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/d2bac355718c23a5164ff4fac3975fcd670f6f2da469e2debe42ffa6f242284b/s-peep-polipro.jpg" data-mid="112687885" border="0"  src="https://freight.cargo.site/w/1000/i/d2bac355718c23a5164ff4fac3975fcd670f6f2da469e2debe42ffa6f242284b/s-peep-polipro.jpg" /&#62;
 Contemporary Theatre in Szczecin. Photo: Kamil Macioł </description>
		
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		<title>VOYEUR (2018)</title>
				
		<link>https://michaldobrucki.eu/VOYEUR-2018</link>

		<pubDate>Mon, 16 Mar 2020 21:21:06 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/VOYEUR-2018</guid>

		<description>Index &#38;nbsp; Next︎
Voyeur analog photography,&#38;nbsp;HD video

&#60;img width="822" height="492" width_o="822" height_o="492" data-src="https://freight.cargo.site/t/original/i/94ece620d444b6f97c012443f2d2c31e64a17d8308e0341fdfe39f00f44c99e9/voyeur-3-red.jpg" data-mid="112687861" border="0"  src="https://freight.cargo.site/w/822/i/94ece620d444b6f97c012443f2d2c31e64a17d8308e0341fdfe39f00f44c99e9/voyeur-3-red.jpg" /&#62;

A series of photos created by camera obscura hidden in a cosmetic bag in public bathrooms and showers at gyms and swimming pools.

The simple construction of the camera requires a long exposure time (a few minutes) so it sharply capture only the stationary elements of the image. Bodies, as moving elements, are not captured. The only body that appears in the photographs is my own - intentionally kept still - voyeur figure - artist in process.

The work reflects on the photographic image which, in the context of voyeurism and acts of peeping in spaces seemingly devoid of eroticism, is expected to satisfy the voyeur's pornographic desire. The poetic quality of the image produced by the camera obscura keeps this dimension understated. What is captured is not equal to what is seen.

It is a documentation of a performance (peeping) by the photographic tool that does not comply with documentary standards. The final result is presented in a video recorded in the darkroom that shows prints appearing in the tray.
&#60;img width="842" height="719" width_o="842" height_o="719" data-src="https://freight.cargo.site/t/original/i/3d1591d8bc6994cffb6bd0f253505a4a1e93a0fde71fc7dcf9ef13fafbca357c/Zrzut-ekranu-2019-03-27-o-23.30.42_842b.jpg" data-mid="249319494" border="0"  src="https://freight.cargo.site/w/842/i/3d1591d8bc6994cffb6bd0f253505a4a1e93a0fde71fc7dcf9ef13fafbca357c/Zrzut-ekranu-2019-03-27-o-23.30.42_842b.jpg" /&#62;


Video stills and photos

&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/adfb26c16f17c65e52fd23aab26651195d9ae75e4361ecccbf82b119650ded32/voyeur-1_2000.jpg" data-mid="112687856" border="0"  src="https://freight.cargo.site/w/1000/i/adfb26c16f17c65e52fd23aab26651195d9ae75e4361ecccbf82b119650ded32/voyeur-1_2000.jpg" /&#62;

Contemporary Theatre in Szczecin. Photo: Kamil Macioł </description>
		
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	<item>
		<title>BACKSTAGE (2022) </title>
				
		<link>https://michaldobrucki.eu/BACKSTAGE-2022</link>

		<pubDate>Wed, 01 Feb 2023 16:35:16 +0000</pubDate>

		<dc:creator>Michał Dobrucki</dc:creator>

		<guid isPermaLink="true">https://michaldobrucki.eu/BACKSTAGE-2022</guid>

		<description>Index &#38;nbsp; Next︎
backstage
photobook,&#38;nbsp;56 pagesbackstage is a photobook containing 54 photos taken with an iPhone, during my intimate encounters with the guys I date and around my work on a personal analog photo series.
order your copy: jp2bondage@gmail.com




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